Friday, August 4, 2017

Alf, Martha (1978). Pears Series I I #7 [4b pencil on bond]. Newspace Gallery, Los Angeles.

A highly individualized still life that looks just like a photograph with a lot of grain. It’s so sensitive and textured that I’m simply amazed that anyone could create this by only using pencil. I enjoy the edge definition of the fruit through value alone, a masterful work. |
Three pears framed with an intimate, narrow focus is the focus. I believe that Alf is attempting to show that similar objects are all unique, because they all have minor differences, just like people. Value and texture in equal combination create this composition more than any other element. Edges, cast and reflected shadows and both soft and rigid surfaces are created through abrupt value differences. The work is achromatic and appears to be void of lines, when actually line is used to create the entire composition.
Spatial depth is dramatic, and built through (again) value contrast calibration (strong to the front, blended to the background). Diminishing detail and a little overlap are also used. Alf uses the picture frame as a supportive element only; it does not add drama but reinforces the compositions near-symmetry.
The three subjects in this work are similar, but their very subtle differences shine through too. Of course, their forms are biomorphic, and these are countered by the straighter, yet subtler, edges built into the background. The full value range is used, and very deliberately so. All edges are blurred to a degree, but there is balance between which ones are rigid and which ones are soft. I would argue the point with the most tension is the double figure, where the two stark values are placed together. Next comes the repeating shape of the first two. The table and background do get residual attention because of how well Alf rendered their textures (hard and soft).
An observer is placed quite close to the subject, almost as if she or he were shrunk and placed on the table. The decision to render one pear in isolation from the other two shows the artists amazing instincts. This is a work that is in a class by its own because of the marvelous way Alf uses a handful of elements to create a rich, nearly photo-realistic and sensitive work. 


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