A colorless, value-based rendering. Focus is based on level of detail. The
central subject’s reflection in the lake is texturally consistent with the
impression of a water surface. |
A large tree, it’s living surroundings and a placid lake are the subject of
this work. Some of the individual elements are built with specific detail to
distinguish them from their surroundings, but overall the entire composition
has a blended, unified character.
Value is the foremost expressive measure used. Subtle and stark variations in
its contrast create the middling range of detail present. Shape is treated with originality. While not crisply-defined, it is a basic and effectively
used unit. It is also the first element I can identify that establishes spatial
relationships, mainly through overlap, and very minor detail adjustment. The
unified, blended character Mondrian has established creates a texture consistent
with the medium used.
Basically, this work is a still life, and creating
tension or excitement by deliberately upsetting a sense of balance is not a
strategy attempted here. This work is pictorially stable. There is a specific lack of value contrast that creates the before-mentioned single-mass
character of this work. Blended, non-defined edges fold into that
characterization. There is a vague sense of directional contrast created
through bubbling versus somewhat rigid masses.
Center of interest is simple in this piece. A large, stark mass pushes into a
field of negative non-developed space. The most focused portion of the canvas
lies just below, vying for attention. The observer is placed on the opposite lake edge, looking out over the scene.
Careful study of this work hints at the value in identifying overlapping and
embedded shapes to create larger shapes using a general-to-specific
approach. The calm, pleasing nature of this composition is an excellent example
of this strategy, even if it wasn’t specifically what Mondrian used to create
it.
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