Manes, Paul (1995). Eiso [oil on canvas]. Paul Rogers/9W Gallery.

This is a very strong work that uses a single object to establish both harmony and interest. Manes’ use of texture is particularly pleasing to me. One detail I find a little odd is each object is viewed from the same oblique angle, although the full range of orientation is used. |

In this oil on canvas painting, the subject blends into a theme: bowl (noun). This work is a strong example of how formal treatment can rise in importance above allegory, historic documentation, optical precision and other aspirations of classic master artists. A combination of basic elements are elevated to equal importance in a way that is not confusing, but unified. The primary of these are shape and texture. All of the objects are miniature light source experiments; shadow and highlight are placed in overlapping proximity to create the bowl shape, although some seem to be transparent, and others have the contrast between values calibrated so close that they seem bathed in light. Still others are defined with gestural, textured line. 

This a case study in building strong depth through overlap and diminution. Value contrasts create three dimensionality within the objects themselves. Overall, the canvas is homogeneous, but the haphazard, scattered energy of the bowls negates any stationary stability this work may have. Transparency and split planes are used more to the bottom, while opaque objects tend to occupy the top, adding to the sense of tension.

Similarity and difference are effortlessly combined. All objects are built with the same shapes viewed from the same angle and most have light, high-key values. All vary in size and orientation. Still more variance is created with color, value, opacity and edge definition. Eye movement is attracted to the starkest differences: The large, red bowl to the bottom left and the rough, dark bowl to the upper right of the center. The lighter bowls and background create an overall stable field pattern for some of the more clashing elements to stand out against.

Manes builds graceful harmony and rhythm with the repeated subject of this work. The formatting differences seamlessly create visual interest. This work is a perfect example of what it means to masterfully combine visual similarities and differences on the canvas.