Bernini is using formal equivalencies to create a composition that twists with
the threat of invading the space of the observer. Weight is placed on his right
leg, effectively stabilizing his center of gravity, while his left initiates
the rotational thrust moving through his shoulders and arms. Globally, a
vertically-oriented, authentic balance is struck at the approximate center axis
from any frontal (possibly all) viewing angle(s).
The energy that charges this work is not only based on the twisting motion of David’s forms. Bernini uses coiling gaps between these elongated shapes to emphasize their motion. He masterfully combines his compositional choices to create a series of moments, a single athletic action, similar to Myron’s Diskobolos, with the added conceptual complication of mortality.
This work is a celebration of the power of the human form and the potential of a focused mind. Forms, surfaces and textures are stiffened and tense; even fabric takes on these characteristics. Formal choices align to place more emphasis on the energy, tone and mindset of the subject. The static forms of his body are directed toward his target. The energized forms are in mid-rotational motion, rendered at a consistent oblique angle to communicate that motion. The focus of his mind is bracketed by his coiling arm and directional thrust of his powerful legs.
Clearly viewing gaze-on with the figure would generate a new layer of tension in the viewer by taking on the role of target, or at least being in the line-of-fire. Historically, this work heralds a trend in western sculpture that would remove works from the pedestal of idealism and ground them in the same reality of the observer. Bernini has created a masterpiece of dynamic motion and energy that is simultaneously balanced and stable.
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